Art museum – Southeastern Quilt Museum Tue, 30 Nov 2021 18:44:00 +0000 en-US hourly 1 Art museum – Southeastern Quilt Museum 32 32 Terry Allen art exhibition at the TTU Museum Tue, 30 Nov 2021 18:44:00 +0000

LUBBOCK, Texas (Press release) – Down in the Dirt: Graphic Art by Terry Allen is now on display at the Museum of Texas Tech University. The exhibit features over 70 original works of art by Lubbock-raised visual artist and musician Terry Allen. The exhibition will be open until March 2022.

Down in the Dirt: The Graphic Art by Terry Allen is now on display at the Museum of Texas Tech University.(Texas Tech University Museum)

Born in Kansas in 1943, Allen grew up in Lubbock, Texas, and has worked as a freelance artist since 1966 in a wide variety of media including sculpture, painting, drawing, video, installations and performances. musical and theatrical. Allen suggested that growing up in West Texas under the tutelage of his impresario father and pianist mother gave an early impetus to his storytelling adventures. Down in the Dirt is an unprecedented opportunity to discover the breadth of his artistic personality and embraces over 40 years of Allen’s life experiences.

Terry Allen grew up in Lubbock, Texas and has worked as a freelance artist since 1966 in ...
Terry Allen grew up in Lubbock, Texas and has worked as a freelance artist since 1966 in a wide variety of media(Texas Tech University Museum)

The museum is open Tuesday to Saturday from 10 a.m. to 5 p.m., Sunday from 1 p.m. to 5 p.m. and closed on Monday. For more information on the exhibit, the Museum and the response to COVID-19, please visit our website Make sure to follow us on Facebook and Instagram for all the latest updates.

Copyright 2021 KCBD. All rights reserved.

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Oregon Museums Hope To Attract Shoppers To ‘Museum Store Sunday’ Mon, 29 Nov 2021 01:45:07 +0000

PORTLAND, Ore. (KOIN) – Museum stores in the United States are trying to market themselves during a week when so many people are shopping for holiday gifts. The Oregon Historical Society and the Portland Art Museum are no exception.

Between Small Business Saturday and Cyber ​​Monday, museums throng in the “Museum Store Sunday”.

About 1,700 stores inside museums across the country celebrated with special discounts.

“We are very grateful to the community for helping the museum survive during the pandemic, for supporting us, and we are very grateful to be able to welcome people back to the museum during this holiday season,” Ian said. Gillingham of Portland. Art Museum.

“For the Oregon Historical Society, you can browse our exhibits and really scratch the surface of a bunch of different pieces of history through our exhibits. Come visit our store, you can browse the thousands of titles that we have in our museum store and really delve into any of these topics, ”said Rachel Randles of the Oregon Historical Society.

The Portland Japanese Garden, the Rice Museum of Rocks and Minerals, and the Evergreen Aviation and Space Museum also participated in the Museum Store Sunday.

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First of several cooking demonstrations for SIMMER at the Murray Art Museum | Border mail Sat, 27 Nov 2021 07:01:00 +0000


Every Holi and Diwali, Aruna Gandhi has a crowd in her kitchen – but she was not used to the size of the audience she received on Saturday. Ms. Gandhi was the first of five border cooks to share a recipe close to her heart and culture for the SIMMER exhibit at the Murray Art Museum Albury. The former president of the Australian Indian Association of Albury-Wodonga explained to the participants the process of cooking gujiya, a traditional and sweet Indian pastry particularly popular at festivals. “It is prepared in almost all parts of India,” she said. “I was 14 when I started doing it with my mom.” But it will not only be the border residents who will appreciate Ms. Gandhi’s cuisine; the ABC Art Works program was filming Saturday’s demonstration. “I wanted to share it, so people can learn,” she said. “I’ve been here for 30 years, I really am a local now.” Demonstrations of recipes, belonging to cuisines such as Congolese and Venezuelan, will take place every week until February. SIMMER curator Nanette Orly said it was important for her to include local cooks in the exhibit, who “consider how food can bring us together, break down barriers and open us to new experiences.” “It was a passion project for me; I love food and its potential to bring people together, ”she said. “We have internationally oriented artwork, as well as two Australian artists, and with these tabletop sessions it was really important for me to have our local community as part of this exhibit.” They can share a bit. about their favorite stories and recipes. ”The exhibit features traditional fermentation processes, videos expressing cultural ties to food, and a selection of illustrations created by a retired Japanese soba chef. The Friday night opening was loaded and Ms. Orly was eagerly waiting for the Border community to get involved. “The artwork is a bit humorous and light-hearted, but it’s really family, community, and culture focused and I really wanted that. comes to fruition, ”she said.


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Reopening of the Courtauld Gallery: Somerset House Museum “is more beautiful than ever” Thu, 25 Nov 2021 13:15:29 +0000

“When the Courtauld Gallery closed in 2018 for renovation, I was concerned it would lose the atmosphere that made it one of London’s most unique museums,” Ben Luke said in the London Evening Standard. “But it’s more beautiful than ever, with a renovation perfectly judged.”

This remarkable collection, established by textile mogul Samuel Courtauld and his wife Elizabeth in 1932 and exhibited at Somerset House, groans with masterpieces – paintings by Bruegel, Botticelli and Rubens, as well as one of the most treasured treasures spectacular views of Impressionism and Post-Impressionist art around the world.

Yet for all his charms, the Courtauld did not always show his art “in the best way”: the paintings hung awkwardly, the gallery layout was awkward, and it was a “nightmare” for the disabled.

Now, thanks to a £ 57million renovation everything has changed. The renovations have opened up what were once cluttered spaces into a cohesive whole, while the lighting and decor has been made considerably more paint-friendly. And what paintings they are: from magnificent medieval and primitive Islamic works to those of van Gogh Self-portrait with bandaged ear (1889) and “superb” pieces by modern masters including Cy Twombly and Philip Guston, it offers “one breathtaking moment after another”.

Familiarizing yourself with the treasures of the Courtauld is almost “too much,” Adrian Searle said in The Guardian. “Surprises at every turn keep you alert and keep you looking,” whether in front of a “slightly crazy” 1550 portrait of an English naval officer or at Cézanne’s house. Card players (1892-1896); at the “room of mirrors and reflections” at the time of Manetl A Bar at the Folies-Bergère (1882) or at Cranach Adam and eve (1526). You constantly remember the impressive “historical breadth and variety” of the collection.

The renovation itself was done with the utmost subtlety, Rowan Moore said in The observer. Indeed, it’s so subtle that sometimes it’s hard to see what all those millions have actually bought. There are, however, occasional slips: the stairs have been fitted with “raw white rectangular light fixtures” of the kind you might find in “a cheap hotel,” while the gallery’s glorious medieval artwork is ” consigned in a “capped room”.

Much of the old Courtauld’s idiosyncratic charm has been sacrificed, making it look a lot more like a regular museum, Waldemar Januszczak said in Sunday Times. But the new move, largely chronological, is easier to follow: certain masterpieces hitherto hidden are “in the spotlight”, such as the “great altarpiece” by Botticelli. The Trinity with Saints Mary Magdalene and John the Baptist.

Elsewhere, two dozen paintings by Rubens once scattered piecemeal in the galleries are offered a well-deserved piece. Better still, the new Impressionist and Post-Impressionist gallery, where we obtain “a wall full of superb Cézannes”; a selection of some fine Gauguins, including the “haunting” Never again (1897); “Exceptional” Seurats; and “heartbreaking” van Goghs.

It may not be perfect, but the Courtauld’s makeover is “unquestionably a success.” This well-kept secret is now likely to become a major tourist attraction. “So, yes, a lot has been won. But a little has also been lost.

Courtauld Gallery, Somerset House, London WC2 (020-3947 7777, Now open to the public

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Museum of Arts and Design’s contemporary jewelry pop-up returns for the holiday edition Tue, 23 Nov 2021 23:04:17 +0000

The Museum of Arts and Design will present the twenty-first edition of MAD About Jewelry (formerly LOOT: MAD About Jewelry), its annual exhibition and sale of unique contemporary jewelry. Open to the public with free admission, December 7-11, following the opening benefit honoring contemporary crafts educator and advocate Helen Drutt English on December 6, MAD About Jewelry 2021 showcases the work of over 40 emerging jewelry pieces. and acclaimed US-based artists. For collectors, connoisseurs and anyone who shares an interest in the interplay between art and design, MAD About Jewelry offers an unparalleled opportunity to converse and acquire pieces from some of the most innovative designers in the field. in support of the museum’s exhibits and education programs.

This year MAD About Jewelry will also include special shopping experiences with Of Rare Origin and Pamela Love. Founded by a mother and her two daughters, Of Rare Origin creates whimsical jewelry, handcrafted in collaboration with Italian artisans, imbued with their playful spirit. This includes the Aviary Classic ring that Oprah Winfrey gifted to Amanda Gorman, the youngest inaugural poet in US history, to wear during the 2021 presidential inauguration ceremony. Their mobile pop-up, known as the “Truck-Show”, will be parked in the museum lobby from Monday December 6 to Wednesday December 8, where visitors will be transported to Italy to purchase signature pieces, taste an Aperol Spritz, write postcards at home and mingle with other jewelry lovers.

On Wednesday, December 8, MAD About Jewelry will host a Piercing Party with jewelry designer Pamela Love who will be on hand to advise on personalized ear piercings for buyers of the award-winning brand’s piercing jewelry. Appointments for piercings must be booked in advance by email

The MAD About Jewelry Opening Benefit, which includes the first access to the selection of jewelry from participating artists, will be held on December 6 at the famous Robert du Musée restaurant and will include the presentation of the MAD About Jewelry Award to a esteemed educator and advocate for the contemporary craftsmanship. Helen Drutt English.

“The MAD About Jewelry Award is presented to luminaries in the field and, in recent years, has honored legendary figures such as Josie Natori, Iris Apfel, Joyce L. Scott and Kay Unger,” said Michele Cohen, President of the board of directors of MAD and MAD About Jewelry. Member of the advisory committee. “This year, we are extremely proud to honor Helen Drutt English, esteemed educator and collector of contemporary crafts, former gallery owner and long-time champion of MAD’s commitment to researching and presenting jewelry as a form of art. Helen co-authored Jewelry of Our Time with Peter Dormer, a seminal book on studio jewelry. Having assembled one of the largest international jewelry collections, organized and lectured around the world, and linked to Friendship with countless prominent artists and designers, Helen is nothing less than a visionary who transformed our understanding and appreciation of craftsmanship. “

At the public sale, which is free to enter, the public will encounter a wide range of creative practices, from the ancient technique of granulation to hand knitting to digital manufacturing. Inspired by nature, climate action, space, history, family and a myriad of other hot topics, artists use traditional metals and gemstones, as well as unusual materials for jewelry such as porcelain, steel, photography, etc. .

“The artists selected for MAD About Jewelry 2021 are supreme storytellers and extremely skilled makers,” said MAD About Jewelry director Bryna Pomp. “Each piece presented deeply expresses the ideals and aesthetics of the artist. The opportunity for visitors to engage with this diversity and caliber of artists and to learn more about the inspiration, technique and the process of these designers is what makes MAD About Jewelry a shopping experience like no other.When a piece is purchased, a permanent bond is established between the collector and the artist.

MAD About jewelry acquisition price

Awarded annually by a jury at the opening preview, the MAD About Jewelry Acquisition Award recognizes a MAD About Jewelry artist or designer whose work reflects artistic and conceptual maturity, exhibits both superior understanding and experimental of materials and form, and demonstrates expertise in technique and execution. MAD’s permanent collection includes nearly a thousand pieces of jewelry, spanning the mid-20th century to the present day. The MAD About Jewelry Acquisition award signifies the museum’s goal of keeping the collection relevant in the field today and a piece by the winning artist (s) is added to it, thus reflecting the best works of modern practitioners. Previous winners include Mariko Kusumoto (2019) and Joo Hyung Park (2019).

MAD About Jewelry 2021 is chaired by LaVon Kellner, Deidre Quinn, Kay Unger and advisory board members Susan Ach, Michele Cohen, Marsy Mittlemann, Ted Taylor and Barbara Waldman.

Highlights of the artist

The artists and jewelry designers featured in MAD About Jewelry 2021 are:

Sunyoung Cheong integrates technology with traditional metallurgy to create her visual narrative; combining precious metals with mixed media such as resin, fabric, wood, 3D printed paper and vitreous enamel, and the lost wax casting process. Recent work reflects the artist’s interest in bees, which she uses as a recurring motif in her works to raise awareness of the environmental value of bees and the importance of sustainable communities.

Ben Dory is fascinated by the mechanics of granulation, an ancient technique by which small spheres, mostly gold, are fused together using a blowtorch or furnace. A pioneer in the pelletizing technique of stainless steel, Dory uses special machines, including a tiny silver vacuum cleaner, to micro-weld steel pellets to each other and to a base surface. Exploring the possibilities of her technique, Dory’s style shifts from scientific and molecular to emotional and ornate, reminiscent of the Victorian era with all its frills.

Jade Gedeon works primarily in brass, crafting organic shapes and playful patterns inspired by a myriad of artistic and design movements. By reinventing the classics and refining the tradition, she creates witty and surprising pieces, remarkable for their bright colors and rich patinas. Each piece of the line originating in Trinidad is handcrafted and assembled by an all-female team, with an emphasis on durability.

Xinia Guan works with sterling silver, which she stretches and bends, in a process that begins with a circle and ends with a different shape. From the simplest observations in nature to the detailed measurement of intricate shapes, Guan finds geometry, pattern and form everywhere and is fascinated by contrast and unity, organization and repetition.

MoAnA Luu reinvents the evolution of Creole jewelry and honors the rich and diverse cultural tapestry of the French Antilles. Her debut collection features playful, stackable gender-neutral pieces with bold geometric details, evoking effortless modern elegance crafted with cultural authenticity. Each piece is handcrafted by local New York artisans in 18k gold vermeil and sterling silver to mimic woven cane. Early Luu fans included Gwyneth Paltrow and Mary J. Blige, and Cardi B. donned ManLuu bracelets for her second pregnancy announcement in the summer of 2021.

Michael Nashef was born in war-torn Lebanon, and he saw a lot of beautiful architecture damaged and destroyed. Influenced by the vernacular of architecture and building materials, Nashef builds structures that double as vessels: distilled representations of war-ruined buildings, whose functional resilience comes from the stability and strength of cement with which he works. He also makes nylon jewelry printed in 3D, whose lightness brings an ironic complement to his concrete works. By bringing together the aesthetics and materials of his jewelry, he asks the wearer and the viewer to create a connection with their surroundings, realizing that there is no perfection, only an adaptation to our current situation.

Tiffany Vanderhoop makes handmade pearl earrings with brass accents. A descendant of the Haida and Aquinnah Wampanoag tribes, she incorporates traditional geometric weaving patterns into her beadwork. Her designs represent an unbroken thread to her ancestors and serve as wearable tributes to the survival of textile art forms and the resilience of Indigenous peoples. Vanderhoop was one of several Indigenous designers worn by first Native American cabinet member and current US Home Secretary Deb Haaland when she featured on the cover of the August 2021 issue of Instyle magazine.


Museum of Arts and Design
2 Columbus Circle, New York, NY


Monday December 6, 5 p.m. to 8:30 p.m.


Tuesday December 7 from 10 a.m. to 6 p.m.
Wednesday December 8 from 10 a.m. to 6 p.m.
Thursday December 9 from 10 a.m. to 8 p.m.
Friday December 10 from 10 a.m. to 6 p.m.
Saturday December 11 from 10 a.m. to 6 p.m.

Free entry. Reserve timed tickets online.

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The Richmond Art Museum exhibits works by artists from Indiana, Ohio Mon, 22 Nov 2021 10:02:19 +0000

RICHMOND, Indiana – The Richmond Art Museum is hosting Indiana’s longest-running juryed art competition until January 8.

The 123rd Annual Indiana and Ohio Artists’ Exhibition features more than 200 artists from both states, according to a press release. Linda Crank, an artist from Cincinnati, Ohio, selected 156 works for the Advanced Division and 51 for the Amateur Division, making it one of the largest recent exhibitions.

Crank said she looks for “quality drawing, good design, composition, value, color and skill” in the pieces.

“Last Mile Road,” a fall or early winter scenery, by Jerry Smith of Crawfordsville, Indiana, won the Sarah and John Lechleiter Best of Show Award. “Garden Whites”, a floral pastel, by Mary Ann Davis of Indianapolis was chosen for the Lucretia T. Carr / Warren Chapman Memorial Merit Award.